PARK CITY, Utah -- Naomi Watts, white robe hiked high and face streaked with blood, tumbles hard. Behind her, the iconic Hollywood sign grins like a mouthful of broken teeth. For Watts, the image, from the poster of her Sundance entry Ellie Parker, is indelible. Long before she was tangling with ghoulish girls and giant apes in films such as The Ring and December's King Kong, she was being knocked around by Tinseltown's dream machine, just another blond ragdoll tripping in her pursuit of stardom. [More]